landingtree: Small person examining bottlecap (Default)
The Bond of Bees,
by Keri Hulme.

I'm blending my mind
with the ease of wine
from candle flowers
on a warm afternoon
and a bloom of bees
from the kamahi
resounds   resounds
in the quiet room

        spikes to the honey
        bees to the comb
        the yeast to the sweet mead
        and now the mead home

thoughts )

Wild Iron,
by Allen Curnow

Sea go dark, dark with wind,
Feet go heavy, heavy with sand,
Thoughts go wild, wild with the sound
Of iron on the old shed swinging, clanging:
Go dark, go heavy, go wild, go round,
  Dark with the wind,
  Heavy with the sand,
Wild with the iron that tears at the nail
And the foundering shriek of the gale.

and thoughts )

More poems

Dec. 23rd, 2023 12:02 pm
landingtree: Small person examining bottlecap (Default)
For Christmas, my grandmother gave me a book of Aotearoa New Zealand poems called Remember Me, chosen to be memorised. Since my Christmas is feeling distributed this year, I opened it early, which is good, because not only have I been really enjoying reading it these last few days, it was in time for me to mention it to a friend who said he'd enjoy getting it for his Christmas gift.

I often come to poetry with partial attention and/or a sense that I don't know enough poetry to think about it well. Ages back, my potter employer was judging a ceramics award. While I took my lunch break, she was ordering photos of wildly diverse art on her floor: smooth and rough, ugly and pretty, functional and abstract, winnowing her short list into being. She is not a potter who's equally good at explaining pottery to non-potters. We had a long talk about her ordering, at the end of which I still had no sense of her aesthetic criteria, only that they were vivid and formed through long experience.

I have felt that way sometimes about poetry, too: looking at a swathe of aesthetic objects I don't understand.

When reading this book, fresh from a masters course in which you write opinions all over everything, I began making little golden dots in the top corner by poems I especially liked, and little exes in pencil next to poems I didn't (because I can always change my mind about not liking a poem, but it seems worth keeping the memory of having once liked a poem). Part of why I seldom go back to poetry collections is the need to sort them anew each time and remember which ones I thought were good, so this helps.

I may make a few posts with poems I did and didn't like in them, but here's one post like that, anyway! Poems above the cut, thoughts under the cut.

High Country Weather
by James K. Baxter

Alone we are born
  And die alone;
Yet see the red-gold cirrus
  Over snow-mountain shine

Upon the upland road
  Ride easy, stranger:
Surrender to the sky
  Your heart of anger.


thoughts )




Charm for the Winter Solstice
by Airini Beautrais

A feather     a leaf
a stone       a bone
a dead
     town
        road.

Incandescent
snow on the hills.
The forest dark below.



and thoughts )

Turbine

Dec. 19th, 2023 01:43 pm
landingtree: Trees seen across a cabbage field against bright grey cloud-shapes (gardening)
My Masters course encourages everyone to submit to its online magazine, Turbine, towards the course's end. Since I had no short stories finished and little spare time what with working on book, I threw some poems at it. I don't know whether they stand up - my poems are all written in a back-and-forth with my grandfather, and no poets but we two have seen them - but as part of a conversation it's some of the most fun I've had writing in the last few years.

This magazine was edited by three of my coursemates. While the rest of us rested in the month after the course finished, they were reading four hundred submissions - hats off to them!

https://turbinekapohau.org.nz




(oh also there's a bit of my reading diary up there, which I mention because it has what leaflemming will consider spoilers for my book in it, don't read until later!)

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