landingtree: Crocodile gazing back into the abyss of time (Herzog)
Subtitle: lessons from the world's least sustainable city.

I have just been listening to a lecture on Behaviour and Conservation Ecology for my upcoming exam, which reminds me I still haven't written this book up. The reason it reminded me is that my lecturer was talking about eco-tourism, its positives and negatives and whether it's ultimately an oxymoron. Economic inequality was a lot of what he was talking about: one of his points in that direction being, if a region's biodiversity supplies a lot of money to the local economy from tourism, but all of that money is routed to the wealthy, locals may break the laws which support biodiversity because they see no other way to get anything out of it, out of what should be theirs already. 'If I don't take something, I'll get nothing' is often an accurate line of thinking, and so successful conservation is going to have to involve making it inaccurate.

Which is, on a different scale, the central argument of Bird On Fire, a book about the city of Phoenix which would seem like a satire if it didn't keep recomplicating itself. The name Phoenix (which replaced the earlier less dramatic Mill City and Pumpkinville) deliberately prophesied the rise of something new and great, from the ashes of the area's last great society, the Hohokam, who first impressively managed and then mismanaged their water resources, before 'collapsing' (or, changing into something which left fewer urban remnants). 'Rising again from the ashes' went on to describe Phoenix's progress through economic boom and bust cycles. The city rose to prosperity first on military manufacturing and second on property development, its expansion into the desert making economic sense because of the promised opportunity to expanding further into the desert afterwards. Some of the people interviewed in the book are genuinely confused that this might trouble anyone. Why wouldn't you expand for the sake of expansion? Why wouldn't you do it in a desert?

(The kitten at this point interjects with a string of gibberish. This \may be a statement of the kitten's economic philosophy, but I think the statement is really 'Anything that moves is a rodent, especially fingers.' Exponential growth makes sense when you're a kitten).

The book profiles farmers whose life prospects are based around the idea that somebody in the near future will want to buy their land off them to build on, and the idea that Phoenix as a city has land development as its soul is deep-rooted even in people with no immediate stake in that development.

What I find myself writing, as I try to summarise this book, are the things which struck me about it, as in 'hit me over the head painfully'. There were a lot of those. Phoenix may or may not actually be the world's least sustainable city, but it gets onto the short list honestly, by way of pervasive attitudes that approach the comic, (federally subsidised libertarians, senators who when asked about climate change reply that carbon dioxide is not an evil gas and that greenhouses are where life flourishes best), and by the way a landscape of inequalities allows mismanagement to drain quietly downwards until it is concentrated into atrocities. Anti-immigrant prejudice which wraps itself in environmentalist language to the point where leaving bottled water on common border-crossing routes is classed as littering, and taken to be a greater crime than building the deterrent of death by thirst into policy. Attracting companies to the region by saying at one and the same time 'This is a lovely landscape for your high-level employees to live in', and 'This is a landscape which won't reduce your profit margins with any requirements that you not poison it', resulting in a clear divide between wealthy clean neighborhoods and poor poisoned ones, where poisoned means 'terrible long-term health consequences for residents, with supposed regulatory bodies specifically tasked with not regulating.' That was the part of the book I was least prepared for. The idea of moving into neighborhoods like that without having been warned, or having been warned but without any choice.

I can list these points, and others less dire: white artists who campaigned strenuously and successfully for micro-level inner city revivification to replace the building of macro-level conference centres, while non-white non-artists had a much harder time protesting similar issues; new enclaves of green building which cancel out their advanced eco-friendly designs by being miles from anywhere else; a burgeoning solar industry, threatened by wavering government subsidies. What I cannot do well in this kind of summary, not when it's been weeks since I finished the book, is get across the degree to which it's a successful portrait of complexity. The interactions between local and federal policy to create the economic conditions, the haste with which any ecological notion which gets public traction is jumped on commercially for both good and bad, and the ways in which moves toward sustainability are made, with every one of the issues above is not just being engaged with by one group, but by three, in partial disagreement. For any two categories, it seems, somebody's in both of them.

The book's message, in so far as it has just one, is: sustainability strategies which do not address inequality will be only superficially successful, because the neighborhoods of people whose voices don't sound very loud in City Hall will remain holes in the regulatory net, and because sustainable living options which are more expensive than unsustainable options won't be adoptable by people in poverty. Sustainability cannot succeed while niche.

Cut for being the part where a motion toward essay-hood fizzles out, leaving behind some vaguely related thoughts, and not getting as far as Always Coming Home. )
landingtree: Small person examining bottlecap (Default)
Two days ago we performed the age-old rain-summoning ritual: rearranging the garden irrigation system. Now Wellington is drenched. And the days are shortening again, although I feel this more than usual on account of getting up at six thirty in the morning to get to my ecology lecture. At the rate of twice a week, I find I enjoy this very much. I feel both tireder and more full of life (it feels odd and pleasant that it's now only one thirty), and it means I'm getting up at the same time as Charlotte, which is nice. We'll see if that goes on. Ecology began drably, (a first lecture full of things I might have taken a while to articulate myself, but nothing actually new, nothing surprising -- definition of ecology etc.) but is looking up. The novel refused to develop anything worthwhile all week and then I came up with the right thing to write during this morning's lecture. I am only taking one course! This should not be how it works! Sigh. But the lecture was about advantages and disadvantages of different sampling procedures, which is interesting, and we are actually going across the harbour to Eastbourne beach next week to use some of them on one weed and two desirable natives, after which our lecturer will write up a meta-analysis of the whole class's findings and send it to Wellington City Council for the sixth year in a row. Which is neat. (I need to retrieve my knowledge of what a chi-square test is. There was a lab session for that, but I can absorb statistics in small clear doses and then the rest of the time -- especially in a loud babbling room -- it just doesn't go in).


...


Wellington Film Society screened David Lynch's Mulholland Drive last Monday. Somehow I both had David Lynch confused with David Fincher and the film itself associated in my head with Revolutionary Road, I think because of a reference to oppressive suburbia. These were not accurate expectations! I'm glad they weren't.

(This all... Sort of has spoilers? Sort of. Stop reading if you'd rather know nothing; I was glad to know nothing myself, but I may be unusual in having had no hints whatsoever to begin with other than, 'It is strange').

Mulholland Drive is glorious, but hollow, but too glorious to be hollow: it has a highly-crafted unpredictability which delighted me, full of scenes which start as one thing and become something completely different, or take up something which happened ten minutes ago and make that something completely different, or in some cases, terrifyingly, fulfil exactly the promise they started with. (There was a while when I was sitting there almost flinching away from the screen because I was afraid a character's face was about to change into a corpse's; it didn't, but it perfectly well could have, and the fear was relevant). So I'd be glad to have watched it even if it was a series of completely disconnected scenes -- and it's not, although for a while there I wasn't sure.

The bright and dark faces of Hollywood. Two women with different kinds of apparent innocence, naive newcomer and mysterious amnesiac, and the treatment of women and sexuality in movies (as [personal profile] leaflemming, who I saw it with, pointed out). The same mood of constrictive unease used to produce horror and comedy by turns. The most startling jump-scare I can remember, occurring directly after a character has described the coming jump-scare accurately. One of the few really hilarious brutally violent assassinations. A shot where the camera watches a doorway across an empty lot where pieces of trash are being blown hither and thither, and then swoops toward the doorway, so that after a moment I saw that the camera had itself been caught by the wind...

And there was a scene I spent thinking, "Are you seriously telling me that the solution to the mystery you've set up is 'You are watching a movie?' Aaargh!"

(t5rrhnjjjjjjjjjjj, agrees the cat. Honestly, the amount of time this cat now spends in her actual owners' house must be approaching the subliminal).

I recovered from the aargh reaction, because that wasn't the whole of what was going on (though it's where my impression of hollowness came from, and it was a good warning to get). I don't think the film is coherent -- though some of it consists of dreams, and it isn't linear, I don't even think it's trying to be coherent on those terms -- but I don't think that's a problem; I also don't know how much coherence is in there, because bits of it have been falling into place in my head for days, and bits of it haven't, many of which must by now fallen out of my head entirely. I want to watch more David Lynch, and if the Film Society were screening Mulholland Drive again next week I'd definitely go.


Edited for footnote: When watching The Prestige I became convinced early on that the two rival conjurers in it were the same man, played by the same actor with different accents and hair, and that his entire life was an elaborate and costly magic trick complete with body doubles. (No comment on most of that, but they are definitely two actors). And before that, I've spent the first quarter of a boxing movie not realising that it had two main characters: brothers gearing up for a major competition who would inevitably both make it to the final round having both won our sympathies. I thought it was one guy with a really convoluted backstory and training regime. And in this movie I spent a long time looking at the characters Betty and Rita going "...you are not the same actress. You have different noses. Do you have different noses? I think you have different noses." I think the evidence is sufficient to conclude that I'm somewhat face-blind.
landingtree: Small person examining bottlecap (Default)
Last week a friend, Joe, was visiting from Dunedin, bringing a crop of stories from the ten years of study he just finished. Here's my garbled version of one of those stories, because I want to remember it, and if I try to remember it in a month's time all I'll come up with is a handful of disconnected assertions. It is a story of the origin of the Bayesian brain.

The earliest nervous systems began in (what Joe calls) roomba slugs: animals three cell-layers thick, able to sense only what they lie upon, navigating a practically featureless, practically endless layer of edible algae on the seafloor. (Effectively, at this point, their bodies are one-to-one maps, and the map is all the sense-data they've got). All they could do was move randomly and eat what they stood on. Each direction of movement was almost as good as any other - but 'almost' becomes a sentence of life or death, in evolutionary time. The least comparative inefficiency ends the less efficient lineage. So rudimentary systems developed to guide movement toward food, away from sparse patches, etc. Higher concentrations of glutamate in the water tended to indicate algae in that direction. (Because glutamate is a protein component released by bacteria associated with the algae? I think? I've lost the details on that part). The slugs didn't require a nervous system to do this, because the legs didn't have to communicate with each other to be effective: if each leg was rigged to pull harder in the presence of more glutamate, the net effect would be to automatically move the slug towards the source of the glutamate (although the legs on opposite sides of its body would be constantly tugging against one another, so it's not ideal). Glutamate is the most common excitatory neurotransmitter in vertebrates, and that may be because it used to be the direct 'go' signal to slug legs, and that's the mechanism onto which everything else was later bolted. (Why just vertebrates, since invertebrates also descend from roomba slugs? I do not know).

Things changed at the point where slugs began to eat each other. (There is a more complicated story to be told about when that point was, how slug population and algal density regulated each other, etc). Hitherto, slugs had not had a reason to distinguish between objects. There weren't any objects. If you bumped into another slug, the most you needed to be able to do was bounce off it and move in another direction. (Presumably that's a half-truth? Because the presence of other slugs would indicate competition for algae, so you'd want to be evenly distributed. Ignoring that for now). But once some kind of modification meant that one slug, having crawled on top of another, could begin to digest it, it became very advantageous to slugs to have a method of detecting other slugs, and to hook that up to a type of cell which emitted glutamate and told the relevant slug legs "Go! Go now!"

The rudimentary form of this is a chemical signal which says, "Slug cells have broken!" which means either "I am being eaten!" or "I am eating something!" (Humans still use this system. I've forgotten the name of the chemical, but when it is released in our bodies it is a 'wound' signal, unless it's in our stomach, in which case it is a 'you are digesting' signal). Knowing that you are being eaten is good, but not the best possible way to avoid being eaten. Detection at a distance? Sight isn't good in murky water, the kind of basic light-sensitivity you can get right off the bat only kicks in when the other slug is very close. Sense of touch likewise, and as a slug, you aren't complicated enough to make a water-tremor-detection lateral line system like what fish have. Sensing chemicals is also not excellent, because chemicals persist in the absence of their source, and by the time the concentration gradients get useful, the other slug is already closer than you'd like. (That is something else I want to know more about, because it seems to tell against the glutamate-sensing slug-legs thing. How hard is it to evolve a really useful nose?)

But at the moment, nothing non-living in the ocean has an electric field. And since proteins already in your body are affected by electric fields, and you already have some internal processes which use that, getting electroreceptors set up to say 'Another slug incoming' is a plausible thing for evolution to do. At which point an arms race begins: predator and prey (larger and smaller slugs, at this stage) are each advantaged by being able to detect the other before the other can detect them, so as to begin chasing or fleeing at the right moment.

(The prey-slug does not, funnily enough, want to flee early enough that it definitely won't be eaten. That would be inefficient. Fleeing costs energy. There is an optimal moment where 'run away' becomes better than 'stay still and keep eating' in terms of acquiring energy and not spending more of it than necessary. That moment is when the slug has about a forty-nine percent chance of being caught and eaten).

The problem with electroreception is that water has a weak background electrical field. At a certain point, making your electroreceptors more sensitive doesn't let you sense other slugs further away, it drowns you in background static instead. This is the moment when the slugs have to start doing Bayesian inference.* If your electroreceptors are so sensitive that they always fire sometimes, you need a system to determine what pattern of firing means, 'It is more energy-efficient to assume that a predatory slug is approaching me than to sit here and keep on eating.' (This is analogous to what human ears do: ears can accurately detect sounds whose vibrations have considerably less energy than the random motion of air molecules). It doesn't take a very complex network to start doing statistics like this: the electroreceptor, and then a layer of neuron-esque things the firing of each of which represents a certain hypothetical position of the incoming slug, and if the neuron-esque things are arranged in order of distance, a cluster of strong signals will say, 'the slug is probably somewhere around distance Y' and some particular cluster of strong signals will say, “It is x% likely that a slug is approaching you and has just reached the optimal run away distance'. (The details of this system have left my mind very quickly, which suggests I never quite understood it, although Joe did draw diagrams).


And after that, to make a long story short, you get the Cambrian Explosion. (Or the Cambrian Radiation, if you want to be peaceful about it). Nervous systems really deform the efficiency landscape. All of a sudden it has all kinds of valleys of optimisation to sit in, when before there was really only the 'Best slug' valley. You can be best attack slug or defence slug or hit-it-with-a-limb slug or run-away-faster slug or hey-I-can-float slug. Once you have a system which can make predictions and coordinate responses, it's quite easy to apply different inputs and attach different behaviours to the outputs, and your efficiency landscape acquires too many dimensions to put in a graph. The Radiation/Explosion is defined by the appearance of burrows in the fossil record, because they're good evidence for nervous systems: it isn't easy to burrow unless you meant to.

That's the linear bit of the story. Other bits:

People (says Joe) often talk about the brain as though it was muddled together any old how. This is analogous to Richard Dawkins pointing at the vulnerable nerve in the neck of the giraffe and saying, “Look what foolish results evolution can produce: how unlike something designed.” But again and again in evolution, you see features sitting right at the local minimum of least energy expenditure. (I don't know if Joe meant that the giraffe nerve serves a function in being so long, or if that was only an illustration and giraffe necks really are ridiculous). But something apparently non-beneficial may, like the running-away distance which lets only fifty-one percent of slugs survive, have less-obvious advantages. And the brain, which costs a heck of a lot of energy both to use and to maintain, has nevertheless developed as efficiently as possible. It has no central coordinator saying, “We have almost used up our glucose supply, slow down you neurons.” Every neuron, on its own, has to be as efficient as possible, or the brain overall will exhaust its glucose supply. (This is what happens in a long epileptic seizure). Computers are much better at some things than brains, but they are much, much less efficient, because brains evolved in order to get better energy-conservation results than the next slug over.

People also talk about evolution as a heroic climb, but it acts more like a series of tumbles: human cognition seems to have developed like a rock being rolled down an optimisation curve. Once it starts rolling, and humans get squishier but smarter, there's no good way to climb back up towards being less squishy and less smart.** Intelligence creates a landscape of problems which intelligence is good at solving. (This also applies to squid, although admittedly not as much).

The idea of the Bayesian brain is: human cognition doesn't so much combine incoming sense data into a direct picture of the world, as produce a stable hallucination of what our internal model tells us should be in the world, and then use sense data to make corrections. Instead of going, “I detect lines and circles: those add up to wheels/frame/handlebars: we detect all of wheels, frames, and handlebars: ding, motorbike!” from the bottom up, the brain goes, “The context makes me expect a motorbike. Does anything we perceive indicate the absence of a motorbike? Well, do any of the lines and circles we see indicate the absence of wheels/frame/handlebars? No? Well, I'll go ahead and perceive a motorbike then.” At every level of perceptual analysis there's a little loop checking what is perceived against what is expected – which complicates the idea of a distinction between perception and cognition, and which explains a number of optical illusions, among other things.

In fact it sounds rather as though it might Explain Everything, except Joe has stated his scepticism for any theory which discovers something nifty and then says, “This single nifty thing Explains Everything!” (The actual research he's drawing on mostly, I think, restricts itself to really sturdy analysis of four-layer neural systems in the human ear).

And that is pretty much all I can remember. I will post it, and Joe can tell me how much it's wrong and send me citations for the other bits. (Well, how much he thinks it's wrong. There may be other neural evolution cults than the Bayesian Brain Slug Cult? But it sounds like a good one to me).





*The main equation of Bayesian inference basically says 'How likely would the outcome I observe be, given my hypothesis about what caused it?' For a while I understood the equation itself, but in a wibbly, in-and-out way which didn't linger.

**Although one of the things Joe suggested was that sponges, which don't have nervous systems, actually descend from things that do, used the nervous systems to get through a difficult hump of slug competition, and then lost them again later. That's highly speculative. But I do love the way each successively-more-complex marine phylum, going through sponges to jellyfish to worms to different worms to crustaceans, has some species which say, "Yes, I know I could be more mobile/intelligent/complicated than that simpler phylum, but you know what I really want to do? Sit absolutely still and filter-feed. Filter-feeding is great."
landingtree: Small person examining bottlecap (Default)
Today we were granted entry to a place as holy in its own way as Sounion: INSTAP, the Institute of Aegean Prehistory. It's the kind of place that sits between the site and the museum, producing the results which will later turn up in lines like 'The presence of haematite demonstrates...' We were shown heaped bags of soil samples waiting to be filtered into heavy, light, and waste portions (tiny shards of bone or pottery, carbonised plant remnants, miscellaneous mud), and the water-recycling system put together by the Institute and its plumber to balance the needs of filtration against Crete's frequent droughts. We saw a cemetary's haul of bones laid out on trestle tables, many of them chips no larger than a fingernail, others looking like wood or cinnamon quills, and one or two precious bits of skull large enough to hint at the sex of the dead. We saw pithoi jars in several stages of restoration from shards, everything done to them reversible, and a Roman silver coin partly cleaned under a microscope. We saw the kind of basement that results from the need to throw nothing away ever, where shelves are being removed on the basis that the little gaps left between them are too valuable to waste. That lot there, said the woman giving us the tour with evident satisfaction, we're analysing for another organisation, so in six or seven years we can give them back. We saw a lab in the corner of the same basement for cutting tiny pieces off ceramics, saturating them with resin to make them non-friable, sanding them down to a thickness of three microns, and using a microscope to determine exactly what kind of clay they were made from. And we saw people at work on giant electronic artists' tablets making acurate sketches of finds for publication. The whole place had the number eight wire feel of a discipline still inventing itself with anything to hand, with a lot of money but never enough, sandblasting pottery with ground walnut shells, using dental wax to mold fills for gaps in pottery, and cursing the predecessors who wrote crate lables in quick-fading red ink.

...

Tonight's hotel was meant to be the worst on the whole trip. True, the mattresses are thin. But there are also kitchenettes! We get to cook! A potluck is convening on the upstairs balcony, all ingredients from the shop across the street. My lentil soup is on the stove, my roommate's chicken sliders are on the table; much is right with the world.

(I am finally catching the group cold. Ah well, can't have everything).

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